This paper proposes a global metrical analysis of the sequences attested in the fragments of Sophocles’ Inachus, in order to bring to light elements useful for the identification of the dramatic genre to which this work can be assigned. If the non-lyrical sequences (iambic trimeters, cataletic trochaic tetrameters, anapaestic dimeters) show regularities in morphology and construction, like those attested in tragedy, for the lyrical sequences the overall picture becomes more composite. Anapaestic monometres and dochmiacs, both freely resolved, make up the rhythmic score of the scenes preserved by the two relevant papyri (P.Oxy. 2369 = fr. **269a-b R. and P.Tebt. 692 = fr. **269c R.): in terms of structural articulation and type of action, they seem to be more in keeping with the genre of satyr drama. The sequences attested in the fragments of indirect tradition – aeolo-choriambs, iambics, enoplian, ityphallic – are well documented in tragic poetry. Therefore, metrical analysis would lead one to consider the Inachus in a perspective that is neither fully tragic nor satyric and leaves open the possibility that it was a “fourth drama without satyrs”.

Cerbo, E. (2022). Riflessioni sulla metrica dell'Inaco di Sofocle tra tragico e satiresco. In Il ‘Quarto incluso’. Studi sul quarto dramma nel teatro greco di età classica (pp.199-221). PISA.

Riflessioni sulla metrica dell'Inaco di Sofocle tra tragico e satiresco

CERBO, E.
2022-01-01

Abstract

This paper proposes a global metrical analysis of the sequences attested in the fragments of Sophocles’ Inachus, in order to bring to light elements useful for the identification of the dramatic genre to which this work can be assigned. If the non-lyrical sequences (iambic trimeters, cataletic trochaic tetrameters, anapaestic dimeters) show regularities in morphology and construction, like those attested in tragedy, for the lyrical sequences the overall picture becomes more composite. Anapaestic monometres and dochmiacs, both freely resolved, make up the rhythmic score of the scenes preserved by the two relevant papyri (P.Oxy. 2369 = fr. **269a-b R. and P.Tebt. 692 = fr. **269c R.): in terms of structural articulation and type of action, they seem to be more in keeping with the genre of satyr drama. The sequences attested in the fragments of indirect tradition – aeolo-choriambs, iambics, enoplian, ityphallic – are well documented in tragic poetry. Therefore, metrical analysis would lead one to consider the Inachus in a perspective that is neither fully tragic nor satyric and leaves open the possibility that it was a “fourth drama without satyrs”.
Il ‘Quarto incluso’ : studi sul quarto dramma nel teatro greco di età classica
Pisa
2021 (9-10 dicembre)
Laura Carrara - Università di Pisa
Rilevanza internazionale
2022
Settore L-FIL-LET/02 - LINGUA E LETTERATURA GRECA
Italian
Sofocle, dramma satiresco, tragedia, Inaco, metrica, lirica
Intervento a convegno
Cerbo, E. (2022). Riflessioni sulla metrica dell'Inaco di Sofocle tra tragico e satiresco. In Il ‘Quarto incluso’. Studi sul quarto dramma nel teatro greco di età classica (pp.199-221). PISA.
Cerbo, E
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2108/312237
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