A discussion about the relevance of topic/narrative theory and its relationship with structural analysis and performance. The paper argues that coherence in (musical) narration is essential for a successful performance, and that this coherence may hardly be attained without some kind of structural analysis. Examples from Mozart's piano sonata, in particular from K. 332
Sanguinetti, G. (2007). Mozart, il pianista e il teatro dei segni. In Interpretare Mozart (pp.3-19). Lucca : LIM.
Mozart, il pianista e il teatro dei segni
SANGUINETTI, GIORGIO
2007-01-01
Abstract
A discussion about the relevance of topic/narrative theory and its relationship with structural analysis and performance. The paper argues that coherence in (musical) narration is essential for a successful performance, and that this coherence may hardly be attained without some kind of structural analysis. Examples from Mozart's piano sonata, in particular from K. 332File in questo prodotto:
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