The paper begins with a discussion of Pliny (HN 36.28) referring to a Janus pater transferred to Rome from Egypt in Augustan age. The sculpture, originally representing Hermes dikephalos, is dubiously attributed by Pliny to Praxiteles or Skopas and somebody identified it with the Hermes by Skopas mentioned in the epigram Anthologia Planudea 192, but this theory runs into serious difficulties. Then I examine some Ptolemaic sculptures, both portraits and idealized statues, characterized by the assimilation of stylistic elements derived from Skopas' art. In conclusion, I investigate through which channels the knowledge of Skopaic formal language penetrated into the Alexandrian cultural background. The analysis of two heads found in the area of the ancient Basileia suggests that Skopas' legacy possibly filtered into the artistic tradition of Alexandria through sculptors coming from Attica, in their turn strongly influenced by the teaching of the Parian master.

Ghisellini, E. (2013). Skopas echoes in Alexandrian Sculpture. In A.S. D. Katsonopoulou (a cura di), Paros 3. Skopas of Paros and his World, Proceedings of the Third International Conference on the Archaeology of Paros and the Cyclades (pp. 511-532). Athens : The Paros and Cyclades Institute of Archaeology.

Skopas echoes in Alexandrian Sculpture

GHISELLINI, ELENA
2013-12-01

Abstract

The paper begins with a discussion of Pliny (HN 36.28) referring to a Janus pater transferred to Rome from Egypt in Augustan age. The sculpture, originally representing Hermes dikephalos, is dubiously attributed by Pliny to Praxiteles or Skopas and somebody identified it with the Hermes by Skopas mentioned in the epigram Anthologia Planudea 192, but this theory runs into serious difficulties. Then I examine some Ptolemaic sculptures, both portraits and idealized statues, characterized by the assimilation of stylistic elements derived from Skopas' art. In conclusion, I investigate through which channels the knowledge of Skopaic formal language penetrated into the Alexandrian cultural background. The analysis of two heads found in the area of the ancient Basileia suggests that Skopas' legacy possibly filtered into the artistic tradition of Alexandria through sculptors coming from Attica, in their turn strongly influenced by the teaching of the Parian master.
dic-2013
Settore L-ANT/07 - ARCHEOLOGIA CLASSICA
English
Rilevanza internazionale
Articolo scientifico in atti di convegno
Ghisellini, E. (2013). Skopas echoes in Alexandrian Sculpture. In A.S. D. Katsonopoulou (a cura di), Paros 3. Skopas of Paros and his World, Proceedings of the Third International Conference on the Archaeology of Paros and the Cyclades (pp. 511-532). Athens : The Paros and Cyclades Institute of Archaeology.
Ghisellini, E
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2108/88952
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