At Tivoli (RM), they still preserve the memory of two red-granite statues, of considerable height, locally called “Cioci”, once staying in the centre of the town, then given to the pope, who had them transported to Rome at the end of XVIIIth century - and placed in the Vatican Museums. J.J. Winckelmann interpreted them as portraits of Antinous and said that they came from the imperial residence in Tivoli, Hadrian’s Villa. Even if at those times some scholars had questioned about both these hypothesis, the authoritative scholar’s beliefs became axioms for the scientific community to this day. For over two a centuries modern scholars didn’t develop any attempt in re-studying the historical and antiquarian sources before Winckelmann. To fill this gap, some results of a research concerning the two celebrated ‘tiburtine’ sculptures are presented here, with a corpus of informa- tion, sometimes unpublished; for example, the analysis of the sources suggests that the two statues could be completely extraneous to Hadrian’s Villa.
Cinque, G.e., Adembri, B. (2023). I “Cioci” di Tivoli. Creazione moderna di un immaginario adrianeo. ARCHEOLOGIA CLASSICA, 74, 581-666.
I “Cioci” di Tivoli. Creazione moderna di un immaginario adrianeo
Cinque, G E;
2023-01-01
Abstract
At Tivoli (RM), they still preserve the memory of two red-granite statues, of considerable height, locally called “Cioci”, once staying in the centre of the town, then given to the pope, who had them transported to Rome at the end of XVIIIth century - and placed in the Vatican Museums. J.J. Winckelmann interpreted them as portraits of Antinous and said that they came from the imperial residence in Tivoli, Hadrian’s Villa. Even if at those times some scholars had questioned about both these hypothesis, the authoritative scholar’s beliefs became axioms for the scientific community to this day. For over two a centuries modern scholars didn’t develop any attempt in re-studying the historical and antiquarian sources before Winckelmann. To fill this gap, some results of a research concerning the two celebrated ‘tiburtine’ sculptures are presented here, with a corpus of informa- tion, sometimes unpublished; for example, the analysis of the sources suggests that the two statues could be completely extraneous to Hadrian’s Villa.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


