The cycle dedicated to Camonius Rufus (6, 85; 9, 74 and 9, 76), a young man who died prematurely and a great admirer of Martial, allows the poet to express his opinion on metapoetic issues. In particular, the epigrams, with a play on variationes, analyse the relationship between the poetic and figurative arts, celebrating the superiority of the epigrammatic genre that can ‘paint’ a more complete portrait of man.
Nocchi, F.r. (2024). Haec erit in chartis maior imago meis: quando la poesia dà voce alla pittura. Il ciclo di Camonio in Marziale (6, 85; 9, 74 e 76). PAN, 13, 95-116.
Haec erit in chartis maior imago meis: quando la poesia dà voce alla pittura. Il ciclo di Camonio in Marziale (6, 85; 9, 74 e 76)
Nocchi, F R
2024-01-01
Abstract
The cycle dedicated to Camonius Rufus (6, 85; 9, 74 and 9, 76), a young man who died prematurely and a great admirer of Martial, allows the poet to express his opinion on metapoetic issues. In particular, the epigrams, with a play on variationes, analyse the relationship between the poetic and figurative arts, celebrating the superiority of the epigrammatic genre that can ‘paint’ a more complete portrait of man.File in questo prodotto:
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