Cartografia letteraria: mappatura dell'Italia nella Divina Commedia

The present contribution aims to collect the non-diegetic geographic-literary-visual elaborations inherent to the Divine Comedy taking into account two perspectives: that of “static” maps that re-propose the places of the Divine Comedy. And that of digital maps and computational initiatives proposed in alternative visual forms, taking advantage of modern virtual tools. Such innovative tools have made it possible to overcome a number of methodological limitations inherent in traditional cartography, and thus the information “loaded” onto the virtual map is greater in quantity, not presenting the limitations, in terms of size, with which static maps are characterized instead.