Can a woman become a rabbi ? Regina Jonas’ cultural ‘foundation’ between gender and law · This essay analyses the figure of Regina Jonas, the first woman rabbi, focusing on her halachic work « Kann die Frau das rabbinische Amt bekleiden ? » (« Can Women Serve as Rabbis ? ») written at the end of her career at the Hochschule für die Wissenschaft des Judentums in Berlin. In this essay Jonas tried to demonstrate by means of Halachah ( Jewish Law) that time had come for women to serve as rabbis, asserting that biblical, Talmudic, and post-talmudic texts do not explicitly prohibit women to do it. Drawing on biblical and talmudic female figures (Deborah, Esther, Bruriah) who had ʻrabbinicʼ functions, Jonas operates a ʻcultural foundation’ of the figure of the woman rabbi, implying the creation of a new category and inspiring the most important – and opposite – feminist approaches to Jewish texts of the last century (Hauptman, Tal Ilan, Last Stone, Biale). This specific ʻfoundingʼ feature can be also linked to two important aspects in Jonas’ life : to her education at the Hochschule on the one hand and to her being part of a specifically German cultural constellation of women writers and essayists between the 20s and 30s on the other hand.
Lozzi, G. (2019). Una donna può diventare rabbina? La "fondazione" di Regina Jonas tra genere e diritto. LINKS, XIX, 107-118 [10.19272/201905301007].
Una donna può diventare rabbina? La "fondazione" di Regina Jonas tra genere e diritto
LOZZI G
2019-01-01
Abstract
Can a woman become a rabbi ? Regina Jonas’ cultural ‘foundation’ between gender and law · This essay analyses the figure of Regina Jonas, the first woman rabbi, focusing on her halachic work « Kann die Frau das rabbinische Amt bekleiden ? » (« Can Women Serve as Rabbis ? ») written at the end of her career at the Hochschule für die Wissenschaft des Judentums in Berlin. In this essay Jonas tried to demonstrate by means of Halachah ( Jewish Law) that time had come for women to serve as rabbis, asserting that biblical, Talmudic, and post-talmudic texts do not explicitly prohibit women to do it. Drawing on biblical and talmudic female figures (Deborah, Esther, Bruriah) who had ʻrabbinicʼ functions, Jonas operates a ʻcultural foundation’ of the figure of the woman rabbi, implying the creation of a new category and inspiring the most important – and opposite – feminist approaches to Jewish texts of the last century (Hauptman, Tal Ilan, Last Stone, Biale). This specific ʻfoundingʼ feature can be also linked to two important aspects in Jonas’ life : to her education at the Hochschule on the one hand and to her being part of a specifically German cultural constellation of women writers and essayists between the 20s and 30s on the other hand.File | Dimensione | Formato | |
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