This paper deals with the philological issues arisen in Italy in the case of Beckett’s drama in relation to his status as a self-translator, a fact still unclear when the first Italian translations were composed. This produced some inaccuracies as to the status of the original text: Fruttero usually translated from French, but several modifications were later introduced based on the English version. It was not revealed in the paratext that a modified translation combines both authorial texts.

Sebellin, R.m. (2022). Il teatro di Beckett in Italia. Tempo di ritradurre?. KWARTALNIK NEOFILOLOGICZNY, 2, 268-281.

Il teatro di Beckett in Italia. Tempo di ritradurre?

Rossana Sebellin
2022-06

Abstract

This paper deals with the philological issues arisen in Italy in the case of Beckett’s drama in relation to his status as a self-translator, a fact still unclear when the first Italian translations were composed. This produced some inaccuracies as to the status of the original text: Fruttero usually translated from French, but several modifications were later introduced based on the English version. It was not revealed in the paratext that a modified translation combines both authorial texts.
Pubblicato
Rilevanza internazionale
Articolo
Esperti anonimi
Settore L-LIN/10
Italian
Beckett drama translation self-translation Endgame Italian translations
https://journals.pan.pl/dlibra/publication/141643/edition/123830/content
Sebellin, R.m. (2022). Il teatro di Beckett in Italia. Tempo di ritradurre?. KWARTALNIK NEOFILOLOGICZNY, 2, 268-281.
Sebellin, Rm
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/2108/304217
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