In music analysis we perceive a significant gap between the possibility of analyzing and describing single tones or sound phenomena and the difficulty of dealing with qualitative aspects of complex music sequences and items. The present paper examines this matter with reference to the literature and through audiovisual documents from field research, discussing some theoretical and methodological aspects such as the need of upgrading our conceptual and terminological tools

Adamo, G. (2011). Single Tone Colour and the 'Sound' of Music Items. Some remarks on the qualitative aspects in music perception. In A. Schmidhofer, S. Jena (a cura di), Klangfarbe. Vergleichend-systematische und musikhistorische Perspektiven (pp. 143-158). Frankfurt am Main : Peter Lang.

Single Tone Colour and the 'Sound' of Music Items. Some remarks on the qualitative aspects in music perception

ADAMO, GIORGIO
2011-01-01

Abstract

In music analysis we perceive a significant gap between the possibility of analyzing and describing single tones or sound phenomena and the difficulty of dealing with qualitative aspects of complex music sequences and items. The present paper examines this matter with reference to the literature and through audiovisual documents from field research, discussing some theoretical and methodological aspects such as the need of upgrading our conceptual and terminological tools
2011
Settore L-ART/08 - ETNOMUSICOLOGIA
English
Rilevanza internazionale
Capitolo o saggio
Music Perception; Analysis; Timbre
With video documents on attached DVD
Adamo, G. (2011). Single Tone Colour and the 'Sound' of Music Items. Some remarks on the qualitative aspects in music perception. In A. Schmidhofer, S. Jena (a cura di), Klangfarbe. Vergleichend-systematische und musikhistorische Perspektiven (pp. 143-158). Frankfurt am Main : Peter Lang.
Adamo, G
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2108/28048
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