On December 31th 2019 Carlo Quartucci died. With him disappears one of the last protagonists of the Italian Research theater. To remind him, the article focuses on a single episode, The theatrical work of 1969, through the testimony of Valeriano Gialli who was one of the actors of that show. to which Carlo Quartucci was particularly fond of. For Quartucci The theatrical work was many things together: the second collaboration with Jannis Kounellis, the return to the Venice Biennale after Zip, the advance of something that will happen completely only with Camion, his first real appearance as a director-stage servant; but above all, a gesture of great freedom of research.
Il 31 dicembre 2019 Carlo Quartucci ci ha lasciati. Con lui scompare uno degli ultimi grandi protagonisti di quella stagione del teatro di ricerca italiano. Per ricordarlo, l’articolo si sofferma su un episodio singolo, Il lavoro teatrale del 1969, attraverso la testimonianza di Valeriano Gialli che di quello spettacolo fu uno degli attori. al quale Carlo Quartucci era particolarmente affezionato. Per Quartucci Il lavoro teatrale era tante cose insieme: la seconda collaborazione con Jannis Kounellis, il ritorno alla Biennale di Venezia dopo Zip, l’anticipo di qualcosa che accadrà compiutamente solo con Camion, la sua prima vera comparsa come regista-servo di scena; ma, soprattutto, un gesto di grande libertà di ricerca.
Orecchia, D. (2020). Carlo Quartucci, mago bambino : Il lavoro teatrale (1969) e l’incontro con Valeriano Gialli. IL CASTELLO DI ELSINORE, 82, 89-100.
Carlo Quartucci, mago bambino : Il lavoro teatrale (1969) e l’incontro con Valeriano Gialli
ORECCHIA DONATELLA
2020-04-01
Abstract
On December 31th 2019 Carlo Quartucci died. With him disappears one of the last protagonists of the Italian Research theater. To remind him, the article focuses on a single episode, The theatrical work of 1969, through the testimony of Valeriano Gialli who was one of the actors of that show. to which Carlo Quartucci was particularly fond of. For Quartucci The theatrical work was many things together: the second collaboration with Jannis Kounellis, the return to the Venice Biennale after Zip, the advance of something that will happen completely only with Camion, his first real appearance as a director-stage servant; but above all, a gesture of great freedom of research.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.