The political and media attention on femicide has not yet had a strong influence in the school and in the educational environment in general. The introduction of the theme would imply an investigation of the origins of the phenomenon in the context of symbolic violence and in a culture of long term domination. The understanding of violence and horror and its reduction to a purely emotional teaching raises many critical points. Avoiding this reductive view presupposes a careful reflection on gender education, its criticalities and on the socially constructed imagery of the feminine and the masculine. The richness of other pedagogical experiences attentive to historical memory confirms the importance of art as a didactic and aesthetic experience. The article analyzes this educational path emphasizing the power of the immersive artistic experience and proposes a selection of artworks to be used for educational purposes.
L’attenzione politica e mediatica sul femminicidio non ha ancora avuto un forte influsso nella scuola e nell’ambito educativo in generale. L’introduzione del tema implicherebbe la ricerca delle origini nell’ambito della violenza simbolica e in una cultura di dominio di lungo periodo. La comprensione della violenza e dell’orrore e la sua riduzione ad una didattica puramente emozionale pone molte criticità. Evitare questa diminuzione implica un’attenta riflessione sull’educazione di genere e le sue criticità, e sull’immaginario socialmente costruito del femminile e del maschile. La ricchezza di altre esperienze pedagogiche attente alla memoria storica conferma la rilevanza dell’arte come esperienza didattica ed estetica. L’articolo analizza questa strada educativa sottolineando la potenza dell’esperienza artistica immersiva e propone una selezione di opere utilizzate a fini educativi
Hassan, C.g. (2020). Femminicidio, cultura visuale ed educazione. TRAUMA AND MEMORY, 8(3), 236-242 [10.12869/TM2020-3-04].
Femminicidio, cultura visuale ed educazione
Claudia Gina Hassan
2020-01-01
Abstract
The political and media attention on femicide has not yet had a strong influence in the school and in the educational environment in general. The introduction of the theme would imply an investigation of the origins of the phenomenon in the context of symbolic violence and in a culture of long term domination. The understanding of violence and horror and its reduction to a purely emotional teaching raises many critical points. Avoiding this reductive view presupposes a careful reflection on gender education, its criticalities and on the socially constructed imagery of the feminine and the masculine. The richness of other pedagogical experiences attentive to historical memory confirms the importance of art as a didactic and aesthetic experience. The article analyzes this educational path emphasizing the power of the immersive artistic experience and proposes a selection of artworks to be used for educational purposes.File | Dimensione | Formato | |
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