Fugue was the highest goal in partimento training: all ordered partimento collection invariabily end with a series of fugues. This paper offers a first glimpse into the variegated tipology of fugal practice used in eighteenth century Nepolitan conservatories. Italian fugal thinking reveals itself as an alternative to the (today still dominant) German tradition focused on the work of J.S. Bach.
Sanguinetti, G. (2010). Partimento-fugue : the neapolitan angle. In D. Moelants (a cura di), Partimento and Continuo Playing in Theory and Practice (pp. 71-111). Leuven : Leuven University Press.
Partimento-fugue : the neapolitan angle
SANGUINETTI, GIORGIO
2010-10-01
Abstract
Fugue was the highest goal in partimento training: all ordered partimento collection invariabily end with a series of fugues. This paper offers a first glimpse into the variegated tipology of fugal practice used in eighteenth century Nepolitan conservatories. Italian fugal thinking reveals itself as an alternative to the (today still dominant) German tradition focused on the work of J.S. Bach.File in questo prodotto:
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