The Italian composition theory has widely used scales either as bass pattern in partimento pedagogy (generally accompanied with the Rule of the Octave) or as cantus firmus in counterpoint exercises. As a consequence, many composers from the eighteenth- and nineteenth century used the same accompaniment patterns in their compositions. This essay is a short introduction to this topic.
Sanguinetti, G. (2009). La scala come modello di composizione. RIVISTA DI ANALISI E TEORIA MUSICALE, 1, 66-94.
La scala come modello di composizione
SANGUINETTI, GIORGIO
2009-01-01
Abstract
The Italian composition theory has widely used scales either as bass pattern in partimento pedagogy (generally accompanied with the Rule of the Octave) or as cantus firmus in counterpoint exercises. As a consequence, many composers from the eighteenth- and nineteenth century used the same accompaniment patterns in their compositions. This essay is a short introduction to this topic.File in questo prodotto:
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