This essay aims to demonstrate the dramatic usage of tonal forces in an unified "tonal field" (as defined by Carl Schachter). In the duet Carlos - Elizabeth in Act II of Don Carlos, Verdi's displacement of a tetrachordal motive in the tonal field of E flat Major causes remarkable effects on the overall development of the drama.
Sanguinetti, G. (2006). Dramatic Functions of "Tonal Field":The Second Duet "Carlos-Élisabeth" in Verdi's Don Carlos. In A. Cadwallader (a cura di), Essays from the Third International Schenker Symposium (pp. 81-102). Hildesheim : Georg Olms Verlag.
Dramatic Functions of "Tonal Field":The Second Duet "Carlos-Élisabeth" in Verdi's Don Carlos
SANGUINETTI, GIORGIO
2006-01-01
Abstract
This essay aims to demonstrate the dramatic usage of tonal forces in an unified "tonal field" (as defined by Carl Schachter). In the duet Carlos - Elizabeth in Act II of Don Carlos, Verdi's displacement of a tetrachordal motive in the tonal field of E flat Major causes remarkable effects on the overall development of the drama.File in questo prodotto:
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