In all his works, Bonnefoy asserted the fundamental value of "presence", in contrast with the abstractions typical of image and concept. This attitude reveals that the author was perfectly coherent and confident in his own poetics. Nonetheless, he often criticized his poetry collections, thus questioning his own achievements. This contradiction is evident in texts such as L'Arrière-pays, L'Improbable, Du mouvement et de l’immobilité de Douve, dominated by ambiguities, bewilderment, and deja vus.

Bevilacqua, L. (2018). Bonnefoy contro se stesso. RIVISTA DI LETTERATURE MODERNE E COMPARATE, LXX(1), 67-87.

Bonnefoy contro se stesso

Bevilacqua, L.
2018-01-01

Abstract

In all his works, Bonnefoy asserted the fundamental value of "presence", in contrast with the abstractions typical of image and concept. This attitude reveals that the author was perfectly coherent and confident in his own poetics. Nonetheless, he often criticized his poetry collections, thus questioning his own achievements. This contradiction is evident in texts such as L'Arrière-pays, L'Improbable, Du mouvement et de l’immobilité de Douve, dominated by ambiguities, bewilderment, and deja vus.
2018
Pubblicato
Rilevanza internazionale
Articolo
Esperti anonimi
Settore L-LIN/03 - LETTERATURA FRANCESE
Italian
French
Senza Impact Factor ISI
Bonnefoy; poesia francese; poesia del Novecento; presenza
http://www.pacinieditore.it/rivista-di-letterature-moderne-e-comparate/
Bevilacqua, L. (2018). Bonnefoy contro se stesso. RIVISTA DI LETTERATURE MODERNE E COMPARATE, LXX(1), 67-87.
Bevilacqua, L
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2108/217167
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