This paper presents a metrical and dramatic analysis of the structure ‘monody-parodos’ in Euripides’ Trojan Women (ll. 98-229). This structure is placed at the beginning of the tragedy and it sets up a great emotional scene. The meter used here is the dimeter anapaestic, in parakataloge and lyric; meter and dialogue (in the first strophic pair of parodos) emphasize the strenght of the philia relationship between Ecuba and the Chorus of Trojan Captives.
Cerbo, E. (2019). La sequenza 'monodia-parodo' nelle Troiane di Euripide: funzione, drammaturgia, metro. GIORNALE ITALIANO DI FILOLOGIA, 71, 115-142.
La sequenza 'monodia-parodo' nelle Troiane di Euripide: funzione, drammaturgia, metro
Ester Cerbo
2019-01-01
Abstract
This paper presents a metrical and dramatic analysis of the structure ‘monody-parodos’ in Euripides’ Trojan Women (ll. 98-229). This structure is placed at the beginning of the tragedy and it sets up a great emotional scene. The meter used here is the dimeter anapaestic, in parakataloge and lyric; meter and dialogue (in the first strophic pair of parodos) emphasize the strenght of the philia relationship between Ecuba and the Chorus of Trojan Captives.File in questo prodotto:
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