Between the end of the nineteenth century and the beginning of the twentieth century, the theatrical scene becomes a mirror of the changing contemporary society and culture, rapidly transforming fashion and costumes. The attention then focuses on the endless possibilities of expression of the dancer/actor's body, as a result of the liberation from the constraints of stage costumes, as well as prejudices, which was a conquest obtained by certain avant-gardes, looking for new ways and new forms of expression.
Gavrilovich, D. (2018). Editorial. ARTI DELLO SPETTACOLO / PERFORMING ARTS, IV, 4-5.
Editorial
Donatella Gavrilovich
2018-01-01
Abstract
Between the end of the nineteenth century and the beginning of the twentieth century, the theatrical scene becomes a mirror of the changing contemporary society and culture, rapidly transforming fashion and costumes. The attention then focuses on the endless possibilities of expression of the dancer/actor's body, as a result of the liberation from the constraints of stage costumes, as well as prejudices, which was a conquest obtained by certain avant-gardes, looking for new ways and new forms of expression.File in questo prodotto:
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