This thesis provides a historical reading and an interpretation of the concept of «Form», drawn upon methodological aspects of the History of Art, upon Art Theory and Aesthetics between the end of the 19th century and the first decades of the 20th century. Considering the central position of this concept and the variations on its field of reference throughout the History of Aesthetics and within Art Theory, this research focuses on the several notional elements and schools of thought that contribute to an elucidation of the understanding and to drawing the relevance of the concept of Form within the historical and theoretical reflexion on the work of art. This thesis attempts to demonstrate that in this period the concept of Form is bound to the determinations of materiality, of presenciality and to its spatial-temporal reality. Furthermore, throughout a reading of the historical mutations occurring in the semantic field of the concept (which we call «formology»), the concept of Form is also attached to the very interpretation and theorization of the development of artistic forms in time
La tesi propone una lettura del concetto di «forma», concentrandosi sugli aspetti metodologici della storia dell’arte, sulla teoria dell’arte e sull’estetica tra la fine dell’Ottocento e l’inizio del Novecento. Prendendo in considerazione la centralità di questo concetto nella storia dell’estetica e nelle teorie dell’arte, nonchè la variabilità del suo campo di significato, si intraprende una ricerca focalizzata sulle tematiche e le proposte avanzate da alcuni autori per un chiarimento della comprensione specifica e della rilevanza del concetto di forma all’interno della riflessione storico-teorica sull’opera d’arte. La ricerca mostra come in questo periodo il concetto di forma acquisisce, attraverso le diverse teorizzazioni, le determinazioni della materialità, della presenzialità, della spaziotemporalità, e infine, tramite un’indagine che ripercorre la mutazione storica del campo semantico associato al concetto (che chiamiamo «formologia»), la determinazione della stessa lettura e dell’interpretazione della storia dell’arte come riflessione sullo sviluppo delle forme artistiche nel tempo
(2010). A forma a partir da forma: uma leitura conceptual da teoria e da história da arte entre os sécs. XIX e XX.
A forma a partir da forma: uma leitura conceptual da teoria e da história da arte entre os sécs. XIX e XX
SARGENTO, PEDRO
2010-01-01
Abstract
This thesis provides a historical reading and an interpretation of the concept of «Form», drawn upon methodological aspects of the History of Art, upon Art Theory and Aesthetics between the end of the 19th century and the first decades of the 20th century. Considering the central position of this concept and the variations on its field of reference throughout the History of Aesthetics and within Art Theory, this research focuses on the several notional elements and schools of thought that contribute to an elucidation of the understanding and to drawing the relevance of the concept of Form within the historical and theoretical reflexion on the work of art. This thesis attempts to demonstrate that in this period the concept of Form is bound to the determinations of materiality, of presenciality and to its spatial-temporal reality. Furthermore, throughout a reading of the historical mutations occurring in the semantic field of the concept (which we call «formology»), the concept of Form is also attached to the very interpretation and theorization of the development of artistic forms in timeFile | Dimensione | Formato | |
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