Discusses some cases in eighteenth century keyboard music where the notation is incomplete, and how a modern performer might "realize" the clues in the score.

Sanguinetti, G. (2017). Partimento and incomplete notations in eighteenth-century keyboard music. In Massimiliano Guido (a cura di), Studies in Historical Improvisation. From Cantare super librum to partimenti (pp. 149-172). Oxford : Taylor and Francis [10.4324/9781315611136].

Partimento and incomplete notations in eighteenth-century keyboard music

Giorgio Sanguinetti
2017

Abstract

Discusses some cases in eighteenth century keyboard music where the notation is incomplete, and how a modern performer might "realize" the clues in the score.
Settore L-ART/07 - Musicologia e Storia della Musica
English
Rilevanza internazionale
Capitolo o saggio
music theory, notation, keyboard music, partimento
Sanguinetti, G. (2017). Partimento and incomplete notations in eighteenth-century keyboard music. In Massimiliano Guido (a cura di), Studies in Historical Improvisation. From Cantare super librum to partimenti (pp. 149-172). Oxford : Taylor and Francis [10.4324/9781315611136].
Sanguinetti, G
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/2108/198924
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