Discusses some cases in eighteenth century keyboard music where the notation is incomplete, and how a modern performer might "realize" the clues in the score.
Sanguinetti, G. (2017). Partimento and incomplete notations in eighteenth-century keyboard music. In Massimiliano Guido (a cura di), Studies in Historical Improvisation. From Cantare super librum to partimenti (pp. 149-172). Oxford : Taylor and Francis [10.4324/9781315611136].
Partimento and incomplete notations in eighteenth-century keyboard music
Giorgio Sanguinetti
2017-01-01
Abstract
Discusses some cases in eighteenth century keyboard music where the notation is incomplete, and how a modern performer might "realize" the clues in the score.File in questo prodotto:
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