Abstract In the history of art, the definition of MONOCHROME can be applied to many works of 20th century art, including tha abstract creations of the Russian avant-garde, as well as several American and European paintings made after the second World War. In architecture, TILING refers the practice of modular tessellation with which the inner and outer surfaces of a building can be clad. The paper compares the monochrome paintings of the artist Sergio Lombardo and the monochrome floors created by the architect Carlo Scarpa, all of them realized in Italy in the late 1950s. An analysis of the works reveals several significant aesthetic and conceptual analogies between them.

Greco, C. (2017). Monocromi e Tiling in Arte e Architettura: i quadri "Monocromi" di Sergio Lombardo e i pavimenti di Carlo Scarpa alla fine degli anni cinquanta. RIVISTA DI PSICOLOGIA DELL'ARTE, NUOVA SERIE, ANNO XXXVIII, N. 28, 81-95.

Monocromi e Tiling in Arte e Architettura: i quadri "Monocromi" di Sergio Lombardo e i pavimenti di Carlo Scarpa alla fine degli anni cinquanta.

GRECO C
2017-12

Abstract

Abstract In the history of art, the definition of MONOCHROME can be applied to many works of 20th century art, including tha abstract creations of the Russian avant-garde, as well as several American and European paintings made after the second World War. In architecture, TILING refers the practice of modular tessellation with which the inner and outer surfaces of a building can be clad. The paper compares the monochrome paintings of the artist Sergio Lombardo and the monochrome floors created by the architect Carlo Scarpa, all of them realized in Italy in the late 1950s. An analysis of the works reveals several significant aesthetic and conceptual analogies between them.
Pubblicato
Rilevanza internazionale
Articolo
Comitato scientifico
Settore ICAR/14 - Composizione Architettonica e Urbana
Italian
ARCHITETTURA, ARTE, MONOCROMO
Greco, C. (2017). Monocromi e Tiling in Arte e Architettura: i quadri "Monocromi" di Sergio Lombardo e i pavimenti di Carlo Scarpa alla fine degli anni cinquanta. RIVISTA DI PSICOLOGIA DELL'ARTE, NUOVA SERIE, ANNO XXXVIII, N. 28, 81-95.
Greco, C
Articolo su rivista
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/2108/194633
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