The foreword focuses on the Russian cultural and artistic context, that Isadora Duncan found when he arrived in Russia. It highlights the important work of Michaela Böhmig on the Russian theatrical criticism about the dance of Duncan.
Gavrilovich, D. (2016). Prefazione. In La danza libera nel paese del balletto Isadora Duncan in Russia (1903-1918) (pp. 1-5). Roma : UNIVERSITALIA srl.
Prefazione
GAVRILOVICH, DONATELLA
2016-01-01
Abstract
The foreword focuses on the Russian cultural and artistic context, that Isadora Duncan found when he arrived in Russia. It highlights the important work of Michaela Böhmig on the Russian theatrical criticism about the dance of Duncan.File in questo prodotto:
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