Bergson interprets Plotinian mysticism in the light of his distinction between two different kinds of mysticism: one which translates union with God into action, the other which translates it into contemplation. Plotinus embodies the highest expression of the latter, intellectual mysticism. This thesis runs through Bergson’s oeuvre from his early works to Les Deux Sources de la morale et de la religion. The present study traces its origins back to a reading of Ennead VI 9 on the basis of notes in the philosopher’s own hand, in all likelihood pertaining to the lecture course he delivered at the Collège de Fance in 1901-1902. These notes, here published for the first time, show that a careful engagement with the Plotinian text led Bergson to stress the continuity between two forms of ecstasy, regarded as stages in the soul's return to its source: in the first stage, the soul reverts to the intelligible and identifies with it (intellectual ecstasy); in the second, the intellect, united with itself, attains ultimate unity (supra-intellectual ecstasy). In both cases, the soul does not identify with God’s creative will and hence the ecstasy it experiences is still a theoretical, or intellectual, one
Taormina, D.p. (2015). Bergson lettore del misticismo plotiniano. Note autografe inedite. ELENCHOS, 36(2), 341-360.
Bergson lettore del misticismo plotiniano. Note autografe inedite
TAORMINA, DANIELA PATRIZIA
2015-01-01
Abstract
Bergson interprets Plotinian mysticism in the light of his distinction between two different kinds of mysticism: one which translates union with God into action, the other which translates it into contemplation. Plotinus embodies the highest expression of the latter, intellectual mysticism. This thesis runs through Bergson’s oeuvre from his early works to Les Deux Sources de la morale et de la religion. The present study traces its origins back to a reading of Ennead VI 9 on the basis of notes in the philosopher’s own hand, in all likelihood pertaining to the lecture course he delivered at the Collège de Fance in 1901-1902. These notes, here published for the first time, show that a careful engagement with the Plotinian text led Bergson to stress the continuity between two forms of ecstasy, regarded as stages in the soul's return to its source: in the first stage, the soul reverts to the intelligible and identifies with it (intellectual ecstasy); in the second, the intellect, united with itself, attains ultimate unity (supra-intellectual ecstasy). In both cases, the soul does not identify with God’s creative will and hence the ecstasy it experiences is still a theoretical, or intellectual, oneFile | Dimensione | Formato | |
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