Four drawings with uncertain or erroneous attributions are presented here with their correct authorship. These consist of a study by the Flemish painter Pieter de Witt (Pietro Candido), preparatory for the "Adoration of the Shepherds" painted during his Tuscan period; a drawing — the first one proposed thus far — by the Roman Girolamo Nanni for the "Allegory of Promptness" frescoed in the apartment of Paul V Borghese in the Vatican; a double sheet by the Marchigian Filippo Bellini connected to his last work, the "Last Supper" in Macerata Cathedral; and a study by Pietro da Cortona’s follower Giuseppe Nicola Nasini (until now classified as the work of a Roman late Mannerist) for the "Council of Nicea and the Condemnation of the Arian Theses" frescoed in the Oratorio della Santissima Trinità in Siena in 1696.
Grisolia, F. (2013). Disegni di Pietro Candido, Girolamo Nanni, Filippo Bellini e Giuseppe Nicola Nasini. PARAGONE. ARTE, 109/110, 52-63.
Disegni di Pietro Candido, Girolamo Nanni, Filippo Bellini e Giuseppe Nicola Nasini
GRISOLIA, FRANCESCO
2013-01-01
Abstract
Four drawings with uncertain or erroneous attributions are presented here with their correct authorship. These consist of a study by the Flemish painter Pieter de Witt (Pietro Candido), preparatory for the "Adoration of the Shepherds" painted during his Tuscan period; a drawing — the first one proposed thus far — by the Roman Girolamo Nanni for the "Allegory of Promptness" frescoed in the apartment of Paul V Borghese in the Vatican; a double sheet by the Marchigian Filippo Bellini connected to his last work, the "Last Supper" in Macerata Cathedral; and a study by Pietro da Cortona’s follower Giuseppe Nicola Nasini (until now classified as the work of a Roman late Mannerist) for the "Council of Nicea and the Condemnation of the Arian Theses" frescoed in the Oratorio della Santissima Trinità in Siena in 1696.File | Dimensione | Formato | |
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