Discusses some instances in Classical or Romantic sonata forms when the onset of the recapitulation occurs gradually, without any obvious sign, making impossible for the listener to discern an exact point of reprise. This recapitulatory strategy is labelled "Ongoing reprise", and its emergence is possibly related to the Homeric vogue in Europe in the eighteenth century.

Sanguinetti, G. (2015). Laborious Homecomings. The “Ongoing Reprise” from Clementi to Brahms. In Steven Vande Moortele, Julie Pedneault-Deslauriers, Nathan John Martin (a cura di), Formal Functions in Perspective. Essays on Musical Form from Haydn to Adorno (pp. 317-342). Rochester, NY (USA) : University of Rochester Press.

Laborious Homecomings. The “Ongoing Reprise” from Clementi to Brahms

SANGUINETTI, GIORGIO
2015-11-01

Abstract

Discusses some instances in Classical or Romantic sonata forms when the onset of the recapitulation occurs gradually, without any obvious sign, making impossible for the listener to discern an exact point of reprise. This recapitulatory strategy is labelled "Ongoing reprise", and its emergence is possibly related to the Homeric vogue in Europe in the eighteenth century.
nov-2015
Settore L-ART/07 - MUSICOLOGIA E STORIA DELLA MUSICA
English
Rilevanza internazionale
Capitolo o saggio
Classical form; Homer; recapitulation; Clementi; Schubert; Brahms
Sanguinetti, G. (2015). Laborious Homecomings. The “Ongoing Reprise” from Clementi to Brahms. In Steven Vande Moortele, Julie Pedneault-Deslauriers, Nathan John Martin (a cura di), Formal Functions in Perspective. Essays on Musical Form from Haydn to Adorno (pp. 317-342). Rochester, NY (USA) : University of Rochester Press.
Sanguinetti, G
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2108/115850
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