Stefano Pavesi's Il Corradino, ossia Il trionfo delle belle premiered at the Teatro San Moisè in Venice in 1809. The work evinces some ambiguities in regard to its genre, wavering between a heroic drama and a farse. Study of musical and textual fragments pertaining to the work, as well as autobiographical documents, sheds light on its compositional history. A list of the fragments connected with the opera is appended
Gialdroni, T.m. (2004). Frammenti di un abbozzo curioso: qualche ipotesi sul Trionfo delle belle di Stefano Pavesi. In Daniel Brandenburg, Thomas Lindner (a cura di), Belliniana et alia musicologica. Festschrift für Friedrich Lippmann zum 70. Geburtstag (pp. 131-180). Wien : Edition Praesens.
Frammenti di un abbozzo curioso: qualche ipotesi sul Trionfo delle belle di Stefano Pavesi
GIALDRONI, TERESA MARIA
2004-01-01
Abstract
Stefano Pavesi's Il Corradino, ossia Il trionfo delle belle premiered at the Teatro San Moisè in Venice in 1809. The work evinces some ambiguities in regard to its genre, wavering between a heroic drama and a farse. Study of musical and textual fragments pertaining to the work, as well as autobiographical documents, sheds light on its compositional history. A list of the fragments connected with the opera is appendedI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
